{"id":3790,"date":"2023-05-30T10:03:47","date_gmt":"2023-05-30T03:03:47","guid":{"rendered":"https:\/\/ria.edu.vn\/?p=3790"},"modified":"2023-05-30T10:03:47","modified_gmt":"2023-05-30T03:03:47","slug":"trien-lam-nhung-kiet-tac-hoi-hoa-cua-ha-lan","status":"publish","type":"post","link":"https:\/\/ria.edu.vn\/?p=3790","title":{"rendered":"Tri\u1ec3n l\u00e3m nh\u1eefng ki\u1ec7t t\u00e1c h\u1ed9i h\u1ecda c\u1ee7a H\u00e0 Lan"},"content":{"rendered":"

Tri\u1ec3n l\u00e3m “\u00c1nh s\u00e1ng r\u1ef1c r\u1ee1” gi\u1edbi thi\u1ec7u lo\u1ea1t ki\u1ec7t t\u00e1c h\u1ed9i h\u1ecda thu\u1ed9c b\u1ed9 s\u01b0u t\u1eadp B\u1ea3o t\u00e0ng qu\u1ed1c gia Rijksmuseum \u1edf H\u00e0 Lan.<\/h2>\n

\"\"<\/p>\n

S\u1ef1 ki\u1ec7n gi\u1edbi thi\u1ec7u 69 tranh c\u1ee7a 66 h\u1ecda s\u0129 d\u01b0\u1edbi d\u1ea1ng tr\u00ecnh chi\u1ebfu \u0111i\u1ec7n t\u1eed v\u00e0 b\u1ea3n in, t\u1eeb ng\u00e0y 26\/5 \u0111\u1ebfn 11\/6 t\u1ea1i B\u1ea3o t\u00e0ng M\u1ef9 thu\u1eadt Vi\u1ec7t Nam. C\u00e1c t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c chia th\u00e0nh n\u0103m ch\u1ee7 \u0111\u1ec1 ch\u00ednh: Phong c\u1ea3nh, T\u0129nh v\u1eadt, Ch\u00e2n dung, \u0110\u1eddi th\u01b0\u1eddng v\u00e0 Th\u1ebf gi\u1edbi t\u00e2m linh.<\/p>\n

Ch\u00e2n dung t\u1ef1 h\u1ecda c\u1ee7a Van Gogh n\u0103m 1887 \u0111\u01b0\u1ee3c b\u1ea3o t\u00e0ng gi\u1edbi thi\u1ec7u theo h\u00ecnh th\u1ee9c tr\u00ecnh chi\u1ebfu tr\u00ean m\u00e0n h\u00ecnh \u0111i\u1ec7n t\u1eed. Theo\u00a0Rijksmuseum<\/em>, danh h\u1ecda chuy\u1ec3n \u0111\u1ebfn Paris v\u00e0o n\u0103m 1886. Sau khi nghe k\u1ec3 v\u1ec1 phong c\u00e1ch h\u1ed9i h\u1ecda m\u1edbi \u0111\u1ea7y m\u00e0u s\u1eafc c\u1ee7a Ph\u00e1p, \u00f4ng th\u1eed nghi\u1ec7m m\u1ed9t s\u1ed1 ch\u00e2n dung t\u1ef1 h\u1ecda, tr\u00e1nh ph\u1ea3i tr\u1ea3 ti\u1ec1n cho ng\u01b0\u1eddi m\u1eabu. Van Gogh \u00e1p d\u1ee5ng nh\u1eefng n\u00e9t v\u1ebd nh\u1eb9 nh\u00e0ng v\u1edbi m\u00e0u s\u1eafc n\u1ed5i b\u1eadt, mi\u00eau t\u1ea3 m\u00ecnh nh\u01b0 m\u1ed9t ng\u01b0\u1eddi Paris th\u1eddi th\u01b0\u1ee3ng.<\/p>\n

\"\u00c1nh<\/p>\n

B\u1ee9c “The Milkmaid” c\u1ee7a Johannes Vermeer v\u1ebd n\u0103m 1660, m\u00f4 t\u1ea3 ng\u01b0\u1eddi h\u1ea7u \u0111ang r\u00f3t s\u1eefa. H\u1ecda s\u0129 ch\u00fa tr\u1ecdng \u0111\u1ebfn vi\u1ec7c kh\u1eafc h\u1ecda \u00e1nh s\u00e1ng tr\u00e0n ng\u1eadp trong c\u0103n ph\u00f2ng v\u00e0 chi\u1ebfu tr\u00ean g\u01b0\u01a1ng m\u1eb7t nh\u00e2n v\u1eadt.<\/p>\n

\u0110\u1ea1i s\u1ee9 H\u00e0 Lan t\u1ea1i Vi\u1ec7t Nam Kees van Baar cho bi\u1ebft vi\u1ec7c tri\u1ec3n l\u00e3m c\u00e1c t\u00e1c ph\u1ea9m l\u1edbn c\u1ee7a n\u1ec1n m\u1ef9 thu\u1eadt H\u00e0 Lan \u0111\u1ebfn c\u00f4ng ch\u00fang th\u1ee7 \u0111\u00f4 th\u1ec3 hi\u1ec7n t\u00ecnh c\u1ea3m t\u1ed1t \u0111\u1eb9p c\u1ee7a hai n\u01b0\u1edbc. “\u0110\u00e2y l\u00e0 kho b\u00e1u qu\u1ed1c gia v\u00e0 ch\u00fang t\u00f4i mu\u1ed1n gi\u1edbi thi\u1ec7u \u0111\u1ebfn nh\u1eefng ng\u01b0\u1eddi b\u1ea1n th\u00e2n thi\u1ebft c\u1ee7a m\u00ecnh”, \u00f4ng n\u00f3i. S\u1ef1 ki\u1ec7n n\u1eb1m trong chu\u1ed7i ho\u1ea1t \u0111\u1ed9ng k\u1ef7 ni\u1ec7m 50 n\u0103m thi\u1ebft l\u1eadp quan h\u1ec7 ngo\u1ea1i giao gi\u1eefa H\u00e0 Lan v\u00e0 Vi\u1ec7t Nam.<\/p>\n

\"\"<\/p>\n

Tranh “Portrait of a Woman, Possibly Maria Trip” c\u1ee7a Rembrandt van Rijn n\u0103m 1639. Theo b\u1ea3o t\u00e0ng Rijksmuseum, cha c\u1ee7a Maria – nh\u00e2n v\u1eadt trong h\u00ecnh – t\u00edch l\u0169y \u0111\u01b0\u1ee3c kh\u1ed1i t\u00e0i s\u1ea3n kh\u1ed5ng l\u1ed3 nh\u1edd bu\u00f4n b\u00e1n s\u1eaft v\u00e0 v\u0169 kh\u00ed. N\u0103m 1639, c\u00f4 20 tu\u1ed5i v\u00e0 ch\u01b0a l\u1eadp gia \u0111\u00ecnh. Trong b\u1ee9c ch\u00e2n dung, t\u00e1c gi\u1ea3 th\u1ec3 hi\u1ec7n s\u1ef1 gi\u00e0u c\u00f3 c\u1ee7a Maria qua c\u00e1c chi ti\u1ebft nh\u01b0 v\u00f2ng c\u1ed5 ng\u1ecdc trai, kh\u0103n qu\u00e0ng c\u1ed5 b\u1eb1ng ren – ph\u1ee5 ki\u1ec7n d\u00e0nh cho gi\u1edbi th\u01b0\u1ee3ng l\u01b0u.<\/p>\n

\"\u00c1nh<\/p>\n

B\u1ee9c “The Night Watch” c\u1ee7a Rembrandt van Rijn s\u00e1ng t\u00e1c n\u0103m 1642. \u0110\u00e2y l\u00e0 t\u00e1c ph\u1ea9m l\u1edbn v\u00e0 n\u1ed5i ti\u1ebfng nh\u1ea5t c\u1ee7a \u00f4ng.<\/p>\n

\"\"<\/p>\n

“The Art Gallery of Jan Gildemeester Jansz” c\u1ee7a Adriaan de Lelie, ra \u0111\u1eddi v\u00e0o kho\u1ea3ng 1794-1795. Theo b\u1ea3o t\u00e0ng, n\u0103m 1792, th\u01b0\u01a1ng gia Gildemeester \u0111\u00e3 bi\u1ebfn hai c\u0103n ph\u00f2ng l\u1edbn trong ng\u00f4i nh\u00e0 c\u1ee7a m\u00ecnh \u1edf Herengracht, Amsterdam th\u00e0nh ph\u00f2ng tr\u01b0ng b\u00e0y tranh. Tr\u00ean t\u01b0\u1eddng treo d\u00e0y \u0111\u1eb7c c\u00e1c t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c \u0111\u00f3ng khung m\u1ea1 v\u00e0ng. Gildemeester (t\u00f3c b\u1ea1c, \u00e1o kho\u00e1c xanh) \u0111\u1ee9ng gi\u1eefa c\u0103n ph\u00f2ng, xung quanh l\u00e0 c\u00e1c kh\u00e1ch m\u1eddi \u0111ang nghi\u00ean c\u1ee9u v\u1ec1 tranh.<\/p>\n

\"\u00c1nh<\/p>\n

“Banquet Still Life” do Adriaen van Utrecht s\u00e1ng t\u00e1c n\u0103m 1644. H\u1ecda s\u0129 ch\u1ee9ng minh m\u00ecnh c\u00f3 th\u1ec3 v\u1ebd m\u1ecdi th\u1ee9, t\u1eeb b\u1ed9 \u0111\u1ed3 \u0103n \u0111\u1eaft ti\u1ec1n \u0111\u1ebfn \u0111\u1ed3 th\u1ee7y tinh, tr\u00e1i c\u00e2y, t\u00f4m h\u00f9m kh\u1ed5ng l\u1ed3, mi\u1ebfng b\u00e1nh ng\u1ecdt c\u1eaft s\u1eb5n.<\/p>\n

\"\u00c1nh<\/p>\n

B\u1ee9c “Still Life with Flowers” c\u1ee7a Jan van Huysum v\u1ebd n\u0103m 1723. V\u00e0o th\u1ebf k\u1ef7 18, Van Huysum \u0111\u00e3 \u0111\u01b0a tranh v\u1ebd hoa l\u00ean m\u1ed9t t\u1ea7m cao m\u1edbi. Thay v\u00ec n\u1ec1n t\u1ed1i th\u00f4ng th\u01b0\u1eddng, h\u1ecda s\u0129 s\u1eed d\u1ee5ng n\u1ec1n s\u00e1ng v\u1edbi phong c\u1ea3nh, t\u1ea1o c\u1ea3m gi\u00e1c nh\u01b0 nh\u1eefng b\u00f4ng hoa \u0111\u01b0\u1ee3c \u0111\u1eb7t tr\u00ean c\u1eeda s\u1ed5, lan can ban c\u00f4ng.<\/p>\n

\"\u00c1nh<\/p>\n

“Winter Landscape with Ice Skaters” c\u1ee7a Hendrick Avercamp, ra \u0111\u1eddi n\u0103m 1608, m\u00f4 t\u1ea3 ho\u1ea1t \u0111\u1ed9ng c\u1ee7a con ng\u01b0\u1eddi v\u00e0 lo\u00e0i v\u1eadt trong m\u1ed9t m\u00f9a \u0111\u00f4ng kh\u1eafc nghi\u1ec7t.<\/p>\n

\"\u00c1nh<\/p>\n

“View of Houses in Delft”, t\u00ean g\u1ecdi kh\u00e1c l\u00e0 “The Little Street” do Johannes Vermeer th\u1ef1c hi\u1ec7n n\u0103m 1658. Theo b\u1ea3o t\u00e0ng Rijksmuseum, \u0111\u00e2y l\u00e0 t\u00e1c ph\u1ea9m kh\u00e1c th\u01b0\u1eddng trong gia t\u00e0i tranh c\u1ee7a Vermeer. H\u1ecda s\u0129 v\u1ebd nh\u1eefng ng\u00f4i nh\u00e0 c\u0169, t\u01b0\u1eddng b\u1eb1ng g\u1ea1ch, qu\u00e9t v\u00f4i v\u00e0 nh\u1eefng v\u1ebft n\u1ee9t do th\u1eddi gian g\u1ea7n nh\u01b0 th\u1ea5y r\u00f5 \u0111\u01b0\u1ee3c. \u0110\u1ecba \u0111i\u1ec3m trong tranh l\u00e0 Vlamingstraat 40-42 \u1edf Delft – n\u01a1i d\u00ec h\u1ecda s\u0129 s\u1ed1ng c\u00f9ng c\u00e1c con t\u1eeb kho\u1ea3ng n\u0103m 1645 \u0111\u1ebfn khi b\u00e0 qua \u0111\u1eddi v\u00e0o n\u0103m 1670.<\/p>\n

\"\u00c1nh<\/p>\n

B\u1ee9c tranh s\u01a1n d\u1ea7u tr\u00ean v\u1ea3i “A Windmill on a Polder Waterway” hay c\u00f2n g\u1ecdi l\u00e0 “In the Month of July” do Paul Joseph Constantin Gabri\u00ebl v\u1ebd n\u0103m 1889. H\u1ecda s\u0129 m\u00f4 t\u1ea3 c\u1ed1i xay gi\u00f3 gi\u1eefa c\u00e1nh \u0111\u1ed3ng v\u00e0 h\u00ecnh \u1ea3nh ph\u1ea3n chi\u1ebfu tr\u00ean m\u1eb7t n\u01b0\u1edbc. Theo Rijksmuseum, Gabri\u00ebl th\u00edch v\u1ebd phong c\u1ea3nh nh\u1eefng ng\u00e0y h\u00e8. Trong m\u1ed9t b\u1ee9c th\u01b0, h\u1ecda s\u0129 vi\u1ebft: “\u0110\u1ea5t n\u01b0\u1edbc c\u1ee7a ch\u00fang ta ng\u1eadp tr\u00e0n m\u00e0u s\u1eafc”.<\/p>\n

———————————————-<\/p>\n

\u2600\ufe0fRubik International Academy<\/p>\n

\ud83c\udf10ria.edu.vn<\/p>\n

\ud83d\udcde0869 087 179<\/p>\n

\ud83c\udfeb181C1 Cach Mang Thang Tam, Ward 5, District 3, HCMC<\/p>\n

\ud83d\udccdsales.rubikart@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Tri\u1ec3n l\u00e3m “\u00c1nh s\u00e1ng r\u1ef1c r\u1ee1” gi\u1edbi thi\u1ec7u lo\u1ea1t ki\u1ec7t t\u00e1c h\u1ed9i h\u1ecda thu\u1ed9c b\u1ed9 s\u01b0u t\u1eadp B\u1ea3o t\u00e0ng qu\u1ed1c gia Rijksmuseum \u1edf H\u00e0 Lan. 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