{"id":3338,"date":"2023-01-13T07:00:17","date_gmt":"2023-01-13T00:00:17","guid":{"rendered":"https:\/\/ria.edu.vn\/?p=3338"},"modified":"2023-01-12T11:59:13","modified_gmt":"2023-01-12T04:59:13","slug":"self-portrait-between-the-clock-and-the-bed-1940-1943","status":"publish","type":"post","link":"https:\/\/ria.edu.vn\/?p=3338","title":{"rendered":"Self-Portrait. Between the Clock and the Bed (1940 \u2013 1943)"},"content":{"rendered":"
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Xuy\u00ean su\u1ed1t h\u00e0nh tr\u00ecnh ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt, Edvard Munch \u0111\u00e3 s\u00e1ng t\u00e1c h\u01a1n b\u1ed1n m\u01b0\u01a1i b\u1ee9c ch\u00e2n dung t\u1ef1 h\u1ecda nh\u1eb1m t\u00e1i hi\u1ec7n h\u00ecnh \u1ea3nh c\u1ee7a b\u1ea3n th\u00e2n \u0111\u1ed3ng th\u1eddi b\u1ed9c l\u1ed9 n\u1ed7i \u00e1m \u1ea3nh, v\u1ebft th\u01b0\u01a1ng s\u00e2u v\u00e0 b\u00ed m\u1eadt \u1ea9n gi\u1ea5u n\u01a1i t\u00e2m h\u1ed3n danh h\u1ecda. H\u00e3y c\u00f9ng t\u00ecm hi\u1ec3u v\u1ec1 t\u00e1c ph\u1ea9m \u0111\u1ed9c \u0111\u00e1o Self-Portrait. Between the Clock and the Bed c\u00f9ng Rubik nh\u00e9.<\/div>\n
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\"\ud83c\udfa8\"<\/span>\u0110\u01b0\u1ee3c Munch s\u00e1ng t\u00e1c trong nh\u1eefng n\u0103m th\u00e1ng cu\u1ed1i \u0111\u1eddi, Self-Portrait. Between the Clock and the Bed (1940 \u2013 1943) \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t t\u00e1c ph\u1ea9m \u0111\u1ed9c \u0111\u00e1o, in \u0111\u1eadm d\u1ea5u \u1ea5n ngh\u1ec7 thu\u1eadt c\u1ee7a danh h\u1ecda.<\/div>\n<\/div>\n
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B\u1eb1ng phong c\u00e1ch Bi\u1ec3u hi\u1ec7n quen thu\u1ed9c, Edvard \u0111\u00e3 kh\u1eafc h\u1ecda m\u1ed1i li\u00ean k\u1ebft gi\u1eefa b\u1ea3n th\u00e2n v\u00e0 c\u00e1i ch\u1ebft qua s\u1ef1 xu\u1ea5t hi\u1ec7n c\u1ee7a hai lu\u1ed3ng kh\u00f4ng gian kh\u00e1c nhau.<\/div>\n<\/div>\n
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Lu\u1ed3ng kh\u00f4ng gian \u0111\u1ea7u ti\u00ean \u0111\u01b0\u1ee3c Munch \u0111\u1eb7t trong c\u0103n ph\u00f2ng n\u01a1i ph\u00eda sau c\u00e1nh c\u1eeda. \u1ede \u0111\u00f3, ng\u01b0\u1eddi xem c\u00f3 th\u1ec3 th\u1ea5y khung c\u1ea3nh tr\u00e0n ng\u1eadp s\u1eafc v\u00e0ng v\u1edbi v\u00f4 s\u1ed1 t\u00e1c ph\u1ea9m ngh\u1ec7 thu\u1eadt \u0111\u01b0\u1ee3c tr\u01b0ng b\u00e0y. \u0110\u00f3 l\u00e0 h\u00ecnh \u1ea3nh t\u01b0\u1ee3ng tr\u01b0ng cho nh\u1eefng n\u0103m th\u00e1ng huy ho\u00e0ng n\u01a1i qu\u00e1 kh\u1ee9 m\u00e0 k\u1ebft tinh l\u00e0 c\u00e1c th\u00e0nh t\u1ef1u r\u1ef1c r\u1ee1 trong s\u1ef1 nghi\u1ec7p c\u1ee7a Edvard Munch.<\/div>\n<\/div>\n
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\"\ud83d\udccd\"<\/span>Tuy nhi\u00ean, con ng\u01b0\u1eddi c\u1ee7a hi\u1ec7n t\u1ea1i kh\u00f4ng \u0111\u1ee9ng trong c\u0103n ph\u00f2ng n\u00e0y m\u00e0 xu\u1ea5t hi\u1ec7n \u1edf tr\u01b0\u1edbc ng\u01b0\u1ee1ng c\u1eeda, \u00f4ng \u0111\u1ed3ng th\u1eddi quay l\u01b0ng l\u1ea1i v\u1edbi nh\u1eefng b\u1ee9c tranh m\u00e0 b\u1ea3n th\u00e2n h\u1ebft s\u1ee9c tr\u00e2n qu\u00fd. Gi\u1eefa l\u1eb1n ranh c\u1ee7a qu\u00e1 kh\u1ee9 v\u00e0 th\u1ef1c t\u1ea1i, danh h\u1ecda \u0111\u00e3 l\u1ef1a ch\u1ecdn kh\u00e9p l\u1ea1i h\u00e0nh tr\u00ecnh ngh\u1ec7 thu\u1eadt c\u1ee7a b\u1ea3n th\u00e2n.<\/div>\n<\/div>\n
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Trong kh\u00f4ng gian \u1ea3m \u0111\u1ea1m ph\u00eda tr\u01b0\u1edbc ng\u01b0\u1ee1ng c\u1eeda, nh\u00e2n v\u1eadt ch\u00ednh \u0111\u01b0\u1ee3c \u0111\u1eb7t gi\u1eefa c\u0103n ph\u00f2ng t\u1ed1i, n\u01a1i c\u00f3 s\u1ef1 xu\u1ea5t hi\u1ec7n c\u1ee7a \u0111\u1ed3ng h\u1ed3 v\u00e0 gi\u01b0\u1eddng.<\/div>\n<\/div>\n
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V\u1ed1n l\u00e0 bi\u1ec3u t\u01b0\u1ee3ng cho th\u1eddi gian nh\u01b0ng chi\u1ebfc \u0111\u1ed3ng h\u1ed3 \u0111\u01b0\u1ee3c Munch kh\u1eafc h\u1ecda l\u1ea1i thi\u1ebfu \u0111i nh\u1eefng chi ti\u1ebft quan tr\u1ecdng nh\u01b0 kim ch\u1ec9 hay m\u1eb7t s\u1ed1, g\u1ee3i li\u00ean t\u01b0\u1edfng \u0111\u1ebfn s\u1ef1 ng\u01b0ng \u0111\u1ecdng c\u1ee7a kh\u00f4ng gian v\u00e0 th\u1eddi gian.<\/div>\n<\/div>\n
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Tuy nhi\u00ean, th\u1eddi gian tr\u00ean chi\u1ebfc \u0111\u1ed3ng h\u1ed3 kh\u00f4ng ch\u1ec9 l\u00e0 nh\u1eefng ph\u00fat gi\u00e2y \u0111\u01a1n thu\u1ea7n m\u00e0 c\u00f2n l\u00e0 h\u00ecnh \u1ea3nh \u0111\u1ea1i di\u1ec7n cho s\u1ee9c s\u1ed1ng \u0111ang d\u1ea7n c\u1ea1n ki\u1ec7t c\u1ee7a danh h\u1ecda. Trong gi\u00e2y ph\u00fat \u1ea5y, c\u00e1i ch\u1ebft d\u01b0\u1eddng nh\u01b0 \u0111\u00e3 \u0111\u1ebfn r\u1ea5t g\u1ea7n v\u1edbi Edvard Munch.<\/div>\n<\/div>\n
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\u0110\u1ed1i v\u1edbi Edvard, h\u00ecnh \u1ea3nh chi\u1ebfc gi\u01b0\u1eddng ch\u00ednh l\u00e0 bi\u1ec3u t\u01b0\u1ee3ng cho b\u1ec7nh t\u1eadt, n\u1ed7i \u0111au, s\u1ef1 h\u1ed7n lo\u1ea1n v\u00e0 l\u1eb1n ranh c\u1ee7a s\u1ef1 s\u1ed1ng . Xu\u1ea5t hi\u1ec7n trong Self-Portrait. Between the Clock and the Bed (1940 \u2013 1943), chi ti\u1ebft n\u00e0y tr\u1edf th\u00e0nh l\u1eddi ti\u00ean \u0111o\u00e1n v\u1ec1 c\u0103n b\u1ec7nh c\u0169ng nh\u01b0 s\u1ef1 ra \u0111i c\u1ee7a Edvard Munch trong nh\u1eefng n\u0103m th\u00e1ng cu\u1ed1i \u0111\u1eddi.<\/div>\n<\/div>\n
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Kh\u00f4ng d\u1eebng l\u1ea1i \u1edf \u0111\u00f3, Edvard ti\u1ebfp t\u1ee5c nh\u1ea5n m\u1ea1nh v\u00e0o s\u1ef1 t\u1ed3n t\u1ea1i c\u1ee7a c\u00e1i ch\u1ebft qua h\u00ecnh b\u00f3ng c\u00e2y th\u1eadp gi\u00e1 \u0111\u01b0\u1ee3c \u0111\u1eb7t \u1edf d\u01b0\u1edbi ch\u00e2n. Th\u1eadp t\u1ef1 gi\u00e1 v\u1ed1n \u0111\u00e3 xu\u1ea5t hi\u1ec7n t\u1eeb th\u1eddi \u0110\u1ebf qu\u1ed1c La M\u00e3, g\u1eafn li\u1ec1n v\u1edbi s\u1ef1 ki\u1ec7n Ch\u00faa Jesus b\u1ecb \u0111\u00f3ng \u0111inh, ch\u00fang tr\u1edf th\u00e0nh m\u1ed9t bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a s\u1ef1 \u0111i\u00ean r\u1ed3, n\u1ed7i \u00f4 nh\u1ee5c v\u00e0 c\u00e1i ch\u1ebft trong nhi\u1ec1u n\u0103m th\u00e1ng sau \u0111\u00f3.<\/div>\n<\/div>\n
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M\u1ed9t l\u1ea7n n\u1eefa, n\u1ed7i \u00e1m \u1ea3nh t\u00f4n gi\u00e1o t\u1eeb th\u1eddi th\u01a1 \u1ea5u c\u1ee7a Edvard Munch l\u1ea1i \u0111\u01b0\u1ee3c b\u1ed9c l\u1ed9 qua h\u00ecnh \u1ea3nh c\u00e2y th\u1eadp gi\u00e1 trong tranh.<\/div>\n<\/div>\n
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\"\ud83d\uddbc\"<\/span>\u0110\u01b0\u1ee3c v\u1ebd b\u00ean kho\u1ea3ng th\u1eddi gian cu\u1ed1i \u0111\u1eddi, Self-Portrait. Between the Clock and the Bed (1940 \u2013 1943) \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t trong nh\u1eefng t\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng nh\u1ea5t c\u1ee7a danh h\u1ecda. B\u1ee9c tranh hi\u1ec7n \u0111\u01b0\u1ee3c l\u01b0u gi\u1eef t\u1ea1i B\u1ea3o t\u00e0ng Munch c\u00f9ng v\u00f4 s\u1ed1 h\u1ecda ph\u1ea9m n\u1ed5i b\u1eadt kh\u00e1c nh\u01b0 The Scream (1893), Madonna (1895) v\u00e0 The Kiss (1897).<\/div>\n<\/div>\n
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Ngu\u1ed3n: hanoi1000.vn<\/div>\n<\/div>\n
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Self-Portrait. Between the Clock and the Bed (1940-1943)<\/div>\n<\/div>\n
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Throughout his artistic journey, Edvard Munch has composed more than forty self-portraits to reproduce his own image while revealing the obsession, deep wounds and secrets hidden in the soul of the artist.<\/div>\n<\/div>\n
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\"\ud83c\udfa8\"<\/span>It was written by Munch in his later years, Self-Portrait. Between the Clock and the Bed (1940-1943) became a unique work, bold artistic imprint of the painter.<\/div>\n
In his familiar expressionist style, Edvard portrayed the link between himself and death through the appearance of two different streams of space.<\/div>\n<\/div>\n
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The first line of space was placed in the room behind the door. There, viewers can see the scene filled with gold with countless works of art on display. It is the image that symbolizes the glorious years where the past which crystallized are the brilliant achievements in the career of Edvard Munch.<\/div>\n<\/div>\n
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\"\ud83d\udccd\"<\/span>However, the man of the present does not stand in this room but appears at the doorstep, he simultaneously turns his back on the paintings that he is so cherished. Between the lines of the past and reality, the artist has chosen to close his artistic journey.<\/div>\n<\/div>\n
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In the gloomy space ahead of the sill, the protagonist is placed between the dark room, where the appearance of the clock and the bed.<\/div>\n<\/div>\n
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It is a symbol of time, but the clock depicted by Munch lacks important details such as needles or dial, reminiscent of the condensation of space and time.<\/div>\n<\/div>\n
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However, the time on the watch is not only mere moments but also an image representing the exhausting vitality of the painter. In that moment, death seemed to have come very close to Edvard Munch.<\/div>\n<\/div>\n
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For Edvard, the image of the bed is a symbol of illness, pain, chaos and the boundaries of life. Appears in Self-Portrait. Between the Clock and the Bed (1940-1943), this detail became a prediction of the disease as well as the death of Edvard Munch in the last years of his life.<\/div>\n<\/div>\n
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Without stopping there, Edvard continued to insist on the existence of death through the silhouette of the cross placed at his feet. The cross, which dates back to the Roman Empire, was associated with the crucifixion of Jesus, which became a symbol of insanity, disgrace and death years later.<\/div>\n<\/div>\n
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Again, Edvard Munch’s childhood religious obsession is revealed through the image of the cross in the painting.<\/div>\n<\/div>\n
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\"\ud83d\uddbc\"<\/span>It was painted at the end of his life, Self-Portrait. Between the Clock and the Bed (1940-1943) became one of the most famous works of painter. The painting is now housed in the Munch Museum, as well as numerous other notable paintings such as The Scream (1893), Madonna (1895) and the Kiss (1897).<\/div>\n<\/div>\n
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Source: hanoi1000.vn<\/div>\n
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Xuy\u00ean su\u1ed1t h\u00e0nh tr\u00ecnh ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt, Edvard Munch \u0111\u00e3 s\u00e1ng t\u00e1c h\u01a1n b\u1ed1n m\u01b0\u01a1i b\u1ee9c ch\u00e2n dung t\u1ef1 h\u1ecda nh\u1eb1m t\u00e1i hi\u1ec7n h\u00ecnh \u1ea3nh c\u1ee7a b\u1ea3n th\u00e2n \u0111\u1ed3ng th\u1eddi b\u1ed9c l\u1ed9 n\u1ed7i \u00e1m \u1ea3nh, v\u1ebft th\u01b0\u01a1ng s\u00e2u v\u00e0 b\u00ed m\u1eadt \u1ea9n gi\u1ea5u n\u01a1i t\u00e2m h\u1ed3n danh h\u1ecda. H\u00e3y c\u00f9ng t\u00ecm hi\u1ec3u v\u1ec1 t\u00e1c […]\n","protected":false},"author":1,"featured_media":3339,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29,1],"tags":[],"class_list":["post-3338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tin-tuc-my-thuat-the-gioi","category-tin-tuc"],"acf":[],"yoast_head":"\nSelf-Portrait. 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